PDF Download The Collected Poems of Audre Lorde, by Audre Lorde

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The Collected Poems of Audre Lorde, by Audre Lorde

PDF Download The Collected Poems of Audre Lorde, by Audre Lorde

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Review

These are poems which blaze and pulse on the page. -- Adrienne RichThis is an amazing collection of poetry by . . . one of our best contemporary poets. . . . Her poems are powerful, often political, always lyrical and profoundly moving. -- Chuckanut Reader MagazineWhat a deep pleasure to encounter Audre Lorde's most potent genius . . . you will welcome the sheer accessibility and the force and beauty of this volume. -- Out Magazine

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About the Author

Audre Lorde (1934-1992) published nine volumes of poetry and five works of prose. She was a recipient of many distinguished honors and awards, including honorary doctorates from Hunter, Oberlin, and Haverford Colleges, and was named New York State Poet (1991-1993).

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Product details

Paperback: 512 pages

Publisher: W. W. Norton & Company; Reprint edition (February 17, 2000)

Language: English

ISBN-10: 0393319725

ISBN-13: 978-0393319729

Product Dimensions:

6.1 x 1.4 x 9.2 inches

Shipping Weight: 1.5 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

24 customer reviews

Amazon Best Sellers Rank:

#37,978 in Books (See Top 100 in Books)

Audre has been a favorite of mine for years. My favorite poetry of hers addresses fear, courage and strength. She is not afraid to tackle tough subjects. She is also not so abstract as to be completely unreadable, but manages to get her message across beautifully.

bought for a class

Great quality. Such a good book. Has all her poems from what i understand.

Audre Lorde inspires the best you, no matter who you are. She writes beautifully.

Beautiful copy of a great collection

This poet is eloquent, distinct and makes you think.

I absolutely love Audre Lorde, you have to own this if you are a real fan.

This poet is a long time favorite of my son. And there is all the Audre Lorde poetry in this large volume you would ever want to read.

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The Collected Poems of Audre Lorde, by Audre Lorde PDF

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PDF Ebook A Beautiful Question: Finding Nature's Deep Design

PDF Ebook A Beautiful Question: Finding Nature's Deep Design

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A Beautiful Question: Finding Nature's Deep Design

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Audible Audiobook

Listening Length: 13 hours and 44 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Penguin Audio

Audible.com Release Date: July 14, 2015

Language: English, English

ASIN: B010TSCO6A

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This is a rumination on beauty in the world. Nobel Laureate Frank Wilczek who is one of the most acclaimed theoretical physicists of his times brings us a chronicle of what beauty in science means. He focuses mainly on physics but does not neglect other sciences. The book is thoughtfully written and is beautifully illustrated with images from art, science and history. It reveals a mind that is as comfortable probing the deep mysteries of the cosmos as it is pondering the everyday objects of our world.Wilczek's approach is roughly chronological and one of his goals is to reveal the seamless unification of beauty in many different contexts. For instance he starts with an account of Pythagoras's theorem which pointed to a crucial connection between numbers and geometric figures. But Pythagoras also discovered simple and pleasing relationships between musical frequencies and the length of various string instruments. Remarkably, these relationships also mirror some of the relationships found in the wavelike nature of subatomic particles. Thus beauty in sound is connected to beauty at the microscopic level. Similarly Wilczek dwells on Goethe's intriguing ruminations on color. While some of these ruminations were scientifically flawed, Wilczek explores how they connect to our modern understanding of color based on the physics and biology of vision.It is when Wilczek starts talking about beauty in physics that he is really in his element. How does one define beauty in science in general and physics in particular? As we all know, beauty is in the eye of the beholder, but Wilczek convincingly provides some criteria that have guided physicists' search for this elusive but still familiar concept through the ages. One very important criterion is symmetry, and Wilczek tells us how assumptions of symmetry in equations and the behavior of subatomic particles underlie almost every concept of modern physics, from relativity to the Higgs boson. The second criterion is economy: many of the most profound equations of physics can fit on a napkin. The third is unification which, as pointed out before, leads to pleasing similarities between the mundane (musical sound, color) and the deep (cosmology, quantum mechanics) as well as between many branches of physics itself. In fact Wilczek's account demonstrates why the mundane is actually deeper than we think. Stunning examples of unification in physics include Maxwell's marriage of electricity with magnetism and Einstein's marriage of space with time.The later parts of the book which talk about concepts like the standard model of particle physics, gauge symmetry, Noether's theorem and quantum electrodynamics can get a bit hairy, but even if you are not a physicist you can still appreciate how these concepts embody the core concepts of beauty that Wilczek mentions. Things get a bit trickier when Wilczek starts talking about complex systems which cannot be pithily described with simple equations. These systems are more amenable to models than fundamental laws, and the challenges of defining beauty in such cases is illustrated by a collaboration Wilczek had with a fellow scientist in which a model that they came up with had so many moving parts that ultimately it was hard to see where exactly one could search for beauty or elegance in the construction. This discussion tantalizingly hints at the existence of so-called emergent systems like the weather, the stock market and consciousness which are not reducible to the sum of their individual parts. I would have appreciated a more detailed discussion of beauty in the context of these systems since science is likely going to focus more on them in the upcoming years.Nevertheless, this is a fine meld of ruminations on beauty across science, art, music and many other aspects of the human and natural world. Wilczek is a clear guide on this journey, and although he may not answer all our questions on beauty, he certainly makes us question and think, which should be the hallmark of a good teacher. Almost two hundred years ago John Keats said, "Beauty is truth, truth is beauty." Wilczek shows us how Keats's utterance is largely true.

This is a broad, deep and mind-expanding book by a Nobel prize winning physicist covering many topics—the philosophy of Plato of the link between the nature of reality and the beauty of form, the functioning and limitations of the human sensory perception of electromagnetic waves (light) and of hydrodynamic waves (sound) relative to what is actually out there to be “seen” and “heard”, the history of science from the Greeks to the Standard Model (or Core Theory as preferred by Wilczek), the extraordinary relation between physical reality and mathematics (numbers, geometry, symmetry), the relation of beauty in the form of symmetry to physical reality, the ongoing extensions of the Core Theory using Supersymmetry. Supersymmetry (SUSY for the cogniscenti) is a form of mathematical magic that has particles being changed from one thing in one “property space” to another in another “property space” and with transformations that change quantum dimensions into ordinary dimensions without changing the laws of physics. The fallback position when things don’t agree with observation is to postulate that the equations have many solutions and the solutions that have the sought-after symmetry are unstable.Wilczec’s description of his and others’ efforts to extend The Standard Model, or as he prefers it The Core Theory, particularly around page 300, strongly calls to mind “The Glass Bead Game (German: Das Glasperlenspiel) is the last full-length novel of the German author Hermann Hesse. It was begun in 1931 and published in Switzerland in 1943 after being rejected for publication in Germany due to Hesse's anti-Fascist views.[1] The Glass Bead Game takes place at an unspecified date centuries into the future. Hesse suggested that he imagined the book's narrator writing around the start of the 25th century.[4] The setting is a fictional province of central Europe called Castalia, which was reserved by political decision for the life of the mind; technology and economic life are kept to a strict minimum. Castalia is home to an austere order of intellectuals with a twofold mission: to run boarding schools for boys, and to nurture and play the Glass Bead Game, whose exact nature remains elusive and whose devotees occupy a special school within Castalia known as Waldzell. The rules of the game are only alluded to—they are so sophisticated that they are not easy to imagine. Playing the game well requires years of hard study of music, mathematics, and cultural history. The game is essentially an abstract synthesis of all arts and sciences. It proceeds by players making deep connections between seemingly unrelated topics”.(from Wikipedia). This impression of similarity is reinforced by Wilczec’s ode to various elementary particles as avatars of corresponding symmetries on page 241.Wilczek’s book is well written, beautifully illustrated with images from the worlds of art and physics, and informative in the extreme. Not everyone will be able to follow everything, depending on their training in modern physics and fortitude, but everyone will be able to glean something from it about the search for physical reality over the years and about the world of modern physics.

A Beautiful Question: Finding Nature's Deep Design PDF
A Beautiful Question: Finding Nature's Deep Design EPub
A Beautiful Question: Finding Nature's Deep Design Doc
A Beautiful Question: Finding Nature's Deep Design iBooks
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A Beautiful Question: Finding Nature's Deep Design PDF

A Beautiful Question: Finding Nature's Deep Design PDF

A Beautiful Question: Finding Nature's Deep Design PDF

A Beautiful Question: Finding Nature's Deep Design PDF

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PDF Download The Big Trial: Law as Public Spectacle

PDF Download The Big Trial: Law as Public Spectacle

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The Big Trial: Law as Public Spectacle

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Review

"Friedman takes his analysis into current time, where he argues that the social changes and media developments have allowed the entertainment aspects of the didactic theater to overshadow its informative aspects."—Reviews in American History"Engaging from the beginning, at both a theoretical and a very explicit, sometimes even sensational level. Thoughtful and though provoking."—Choice"Lawrence M. Friedman, our legal historian with the widest range, explains the great variety in courtroom and related events that have attracted our attention in American history. His book is a must for anyone who becomes absorbed in a high-profile trial."—Robert A. Ferguson, George Edward Woodberry Professor in Law, Literature, and Criticism at Columbia Law School and author of the author of The Trial in American Life "Witty and engagingly written, The Big Trial sheds important light on the social functions of 'headline trials' in American history, both before and during the age of mass media. Professor Friedman compellingly shows how big trials educate the public, impart moral messages, and above all, entertain us."—Samantha Barbas, author of The Laws of Image

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About the Author

Lawrence M. Friedman is Marion Rice Kirkwood Professor at Stanford Law School. He is the author, among other works, of A History of American Law; The Legal System: A Social Science Perspective; Crime and Punishment in American History; and The Human Rights Culture.

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Product details

Hardcover: 224 pages

Publisher: University Press of Kansas (May 4, 2015)

Language: English

ISBN-10: 070062077X

ISBN-13: 978-0700620777

Product Dimensions:

5.8 x 1 x 8.7 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#1,215,625 in Books (See Top 100 in Books)

I’m always amazed when I read press accounts of cases I have either tried, or am in the midst of trying: the reporter’s gloss rarely reflects the complexity of the proceeding. Often, what’s reported is just plain wrong. But the public appetite for trial news appears to be insatiable. Why? My theory is Freudian: Trial is where we take the seven deadly sins – wrath, greed, sloth, pride, lust, envy, and gluttony – and put them on display. We identify with the accused at criminal trials: His sins are ours, only writ large; we could have done the same. The defendant must be punished or our self-restraint is mocked. Of course there are exceptions to this theory: Sometimes we identify with the alleged victim, demanding relief for him or her as though we ourselves suffered the injury. Civilization is a complex mystery. It is no wonder our discontent leaks out in morbid preoccupation with the sorrows of others. Lawrence M. Friedman’s latest book, The Big Trial: Law As Public Spectacle, is a scholarly treatment of our fascination with trials. Although he doesn’t adopt the Freudian point of view, he doesn’t contradict it either. In Friedman’s view, big trials are part entertainment and part teaching -- or, as he puts it more times than I can count, “didactic” – exercises. The boundaries of community norms are explored at trial. We teach one another what is, and what is not, to be tolerated. Studying trials are also useful social history: “Arguments and strategies in jury trials are windows into social stereotypes and norms, into what people think and believe,” Friedman writes. “They can help show us which norms, ideas, and attitudes pack the most punch, at various points in history.” His discussion of the Lizzie Borden case – she was acquitted for the murder of her father and step-mother in 1892 Fall River, Massachusetts -- prompted chilling memories of a classmates of mine in Chicago standing on my doorstep to chant:“Lizzie Borden had an axeShe gave her mother 40 whacks,When she saw what she had doneShe gave her father 41.”How did the tale of this double-murder find its way from Massachusetts to Chicago half a century later? Did the poem’s power to terrify me have anything to do with the fact that my father had recently disappeared? I knew about Lizzie Borden in a personal way before I ever learned of the crimes with which she was charged.The Internet is changing trial coverage by the media. There are websites, such as WildAboutTrial.com, dedicated to nothing but coverage of high-profile cases. Daily newspapers struggle to meet the demand for coverage – depressed budgets requires reporters do more with less.Should trials be televised? I say not. Watching another lawyer try a case is, for me, like watching ice melt on a cool October morning – I just won’t do it. I suspect most trial watchers don’t really pay attention from gavel to gavel. Television is a distraction to the participants, sometimes intimidating witnesses, other times emboldening them to seek their fifteen minutes of fame from the stand. Remember Kato from O.J.’s case? I love Friedman’s books. He’s written previously on the criminal justice system and on prisons. He’s a careful researched and has a scholar’s love of explanatory footnotes. If you are fascinated about why and how some trials go viral, why the general public adopts other people’s troubles as their own, read this brief and insightful little book. I liked it so much I will re-read it soon.

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Lawrence Friedman is perhaps the most respected, and certainly the most prolific, legal historian of our day. But he’s also a great storyteller; in fact, he writes detective fiction on the side. Not surprisingly then, The Big Trial makes for enjoyable reading even if one is skeptical of the author’s categorization of big trials as (for instance) “tabloid,” celebrity,” or “worm in the bud.”My own feeling is that big trials became big because they were (in the words of the Heath brothers) “sticky.” They combined aspects of simplicity, concreteness, and the unexpected in tales that could often be expounded at length and for profit. There’s little need for Friedman’s recourse to “suppressed desires” or “didactic theater” when big trials can be more easily explained by the rise of literacy, greatly expanded leisure time, and the opportunity for a host of people to make some money.

The Big Trial: Law as Public Spectacle PDF
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The Big Trial: Law as Public Spectacle Doc
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The Big Trial: Law as Public Spectacle PDF

The Big Trial: Law as Public Spectacle PDF

The Big Trial: Law as Public Spectacle PDF

The Big Trial: Law as Public Spectacle PDF

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